
There are SO MANY tempting books around at the moment it's panic inducing in a happy, but equally challenging way - it would be so nice to be able to read / comment on everything but here we are.
Thursday Temptations will be all about highlighting books that have appeared before me that will tempt all sorts of readers - designed to be a pretty wide ranging selection, this week the books I'm highlighting are listed below.
Find Me

THREE YEARS MISSING.
When Pete vanished into the rugged wilderness of Tasmania’s Abel mountains, it only took a few weeks for the official search to be called off. He’d been warned, they said. Mount Mercy takes people.
TWO SISTERS SEARCHING.
Brought together by their mother’s dying wish to find their brother once and for all, estranged sisters, Hallie and Gertie, head back to Mount Mercy. Their first step: to find the Peakers, an isolated and mysterious commune, who were the last people to see Pete alive.
A TRUTH THEY MAY NOT SURVIVE.
It doesn’t take long for the sisters’ desperate hunt for answers to become a terrifying fight for their own survival. The Peakers are hiding something. Something deadly…
Murder at Thornwood Park

Who doesn't want to curl up with this fabulous lead character and a great supporting cast in a setting made for some murder and crime solving?**
When historian Rose McHugh is left a mysterious bequest after the death of the reclusive heiress of Thornwood Park, she's excited to visit the estate.
But when Rose realises she may have found evidence of women going missing, she delves deeper. During World War II, the nearby Robertson Hotel housed trainees of the Women's Auxiliary Australian Air Force, who often attended lavish parties thrown by Thornwood's wealthy owners.
Unearthing a decades-old mystery is a challenge ... particularly when it may lead to the unmasking of a serial killer. And it appears that someone in the misty Southern Highlands will do anything to keep the killer's identity hidden.
Like, Follow, Die

Corinne Gray’s life is falling apart. When homicide detective Kyle Nazarian unexpectedly knocks on her door on a rainy morning, she knows why. He wants to talk about her son, Ben.
An average teen in Sydney’s eastern suburbs, Ben is dating his first girlfriend and trying to find an after-school job. But as his luck sours, he’s increasingly drawn into shadowy corners of the internet.
This is Corinne’s chance to finally explain how her sweet-natured child, who loved history and dreamed of swimming for Olympic gold, grew up to do the unthinkable. What really happened to Ben? And could anyone have prevented it?
Kyle, meanwhile, is grappling with his own crisis both at home and at work. Torn between his duties and a growing sympathy for Corinne, Kyle must decide how far he’s willing to go in his pursuit of justice.
Like, Follow, Die by Ashley Kalagian Blunt
Ashley Kalagian Blunt continues her exploration of the perils of malicious online communities in Like, Follow, Die.
Readers of Blunt’s debut crime fiction Dark Mode will remember how that novel addressed the obsession of stalkers in a pre- and post-internet world. The manipulation of that main character, Reagan Carsen, was visceral, despite her attempts to keep a very low profile: no social media, no photos, no online ‘profiles’ anywhere. Yet she was subjected to a targeted campaign of terror by one depraved individual. Close readers of that novel may recall a reference at the end of it to a website called ‘A New Place for Men’, and this is where Blunt takes the story in Like, Follow, Die.
The timeline is a combination of present-day characters and events and pages of notes, headed ‘NSW Police Evidence’, from a past case. In the early stages you’ll need to be paying attention, as a lot of information about a number of people is provided very rapidly on a variety of timelines, which become more obvious as the plot reveals itself.
The first character we meet is Corinne Gray. A downtrodden woman living in poverty, we first meet her on a rainy morning in March 2025 when homicide detective Kyle Nazarian knocks on her door.
When the knock came, Corinne Gray wasn’t expecting the cops. She wasn’t expecting anyone.
Kyle Nazarian wasn’t expecting to be knocking on her door, either. Recently returned to Sydney from a rural posting, he was only made a probationary detective in the homicide squad the month before.
Detective Kyle Nazarian dashed through the rain, up the driveway and towards the forensics tent erected at the entrance of 68a Seabeach Avenue, Mona Vale. Anticipation prickled through him.
After five years of being held back, this was it.
However, while Corinne was not expecting him, she knows why Kyle is knocking on her door. He wants to talk about her son, Ben. Everybody wants to talk about him, even though it will be quite a while before the reader finds out why.
NSW Police evidence #JH-17-9
Handwritten journal belonging to Benjamin Gray, aged 12
13 February 2016
Dear Dad, Writing to you was Mum’s idea. It feels a bit weird, since we’ve never met. But Mum said that’s okay, I can introduce myself and tell you whatever I want.
The storyline deploys these three main voices – Corinne, Kyle and Ben – in a series of interspersed chapters that cleverly reveal the reasons why Corinne and Kyle are meeting, why the police have Ben’s handwritten journal as evidence, and what happened to him. It all comes down to a series of desperate stories and the manipulation of others that culminate in Corinne and Kyle’s discussion on that rainy afternoon. A discussion Corinne sees as her chance to finally set the story straight.
A single mother who struggled to raise her much-wanted son, her relationship with Ben became increasingly fraught. Financial troubles had forced them from their reasonably comfortable life, and Ben from his exclusive boys’ school, to less salubrious accommodation and a public school. Having to part with his beloved pet dog Cheddar, and finding it difficult to fit in with his peers, poverty does not sit well with Ben. When Corinne spirals into depression after she loses her job, it seems that things cannot get much worse for these two. As Ben hits puberty, he becomes even more antagonistic towards his mother. Then he meets a girl, Chelsea, and that relationship rapidly becomes equally fraught. There’s also something else building there – a tendency towards misogyny, fostered, it seems, by an online community he’s become very involved in – ‘A New Place for Men’.
I read the first volume of Y: The Last Man. Except for the main guy, all the characters are women, which makes it pretty dull.
As his contempt for his mother grows, and his relationship with Chelsea gets more erratic, there are a few hints of normality. Corinne finally finds a meaningful relationship of her own, which Ben’s hot and cold on, as he seems to be with everything.
Mum finally told me about the guy she’s been seeing, as if I didn’t know.
She used to bang on about how we should eat dinner together like a ‘family’, but now she’s at this guy’s place all the time. His name is Gavin.
There is a reason why Kyle knocked on Corinne’s door that morning, despite his wife really needing him at home – her at-risk pregnancy is getting more and more complicated with every passing day, with only limited support from extended family. Operationally, he was not authorised to be there; his probationary status has been suspended, and he is in trouble for something he did as part of a double homicide investigation he’s involved in.
However, the detective he’d been assigned to work with, Duff, is a legend – one of those old-fashioned, kick-doors-and-heads-in-if-necessary investigators who’s back working after an illness that is still threatening to take away the job he loves.
Duff was in his sixties, a heavy-boned man with the face of one of those disgruntled owls. He was part of a homicide investigation team that worked out of headquarters, the team Kyle was now officially part of.
He’s a respected mentor for Kyle if you ignore the dodgy evidence handling and the leaping to conclusions that’s going on in the dual investigations of the death of Scott Chambers, a seemingly normal family man shot dead in his own bathroom when his wife and daughters were staying with her parents, and of a more notorious man, Nestor Vernon, someone the team had been looking for, who was shot in a similar manner inside his locked apartment.
‘Uniforms entered with the building manager and found the owner deceased. Single gunshot wound to the forehead, same as Chambers.‘
The investigation of those deaths is what sent Kyle to Corinne’s door. He’d found evidence of a connection between these two seemingly unconnected men, and then worked backwards to Benjamin Gray. Kyle’s there to scratch an itch, and Corinne sees this as an opportunity to finally get a fair hearing for her son – and for herself as a parent.
She’d never said this part out loud though. ‘You know there are cultures where, if someone goes astray, it’s not considered an individual failing. The community looks at themselves and asks “How did we fail? What could we have done to prevent this?” You’d never see that here …’.
The conclusion to the story is red hot and explosive, but the underlying message here – that the worst people are using the anonymity, immediacy and voice the internet provides as a vehicle for growing hatred – is stone cold and chilling.
Nothing Personal

Theft. Extortion. Dinner with Dad.
Lola McKenzie never wanted to steal from her dodgy boss.
But she also never wanted to be stuck in a dead-end job, paying off her dad’s debts.
So when she sees a bag of cash sitting around unattended at work, she figures it’s time to make life a little easier. Only, the next day her boss is missing, presumed dead – and it won’t take a genius to figure out Lola is involved.
Turns out that Lola’s pinched more than a bag of cash … nestled at the bottom of the bag was a USB drive that could be either a curse or an opportunity.
Lola doesn’t know what’s on it, only that it’s important enough for the local cops and the local crooks to come looking for it.
Is it a magnet for trouble? Or her ticket out of the hard life? All she has to do is figure out a way to sell it to the highest bidder without revealing her identity.
Should be easy, right?
Cold River

Deep in the mountains, secrets grow deadly . . .
Detective Constable Sally White knows how easily hikers can go missing in Victoria’s high country. But there’s something about the disappearance of Louis Taylor, a young man lost up Mount Viking, that’s not sitting right with her.
Louis was an aspiring journalist, researching the illegal tobacco trade – also known as chop chop – that was once so prevalent in the area. And the last person he interviewed before his hike has just met a gruesome end . . .
But with no other leads, and with the search winding down, Sally is forced to accept the young man died in a tragic accident.
Until she learns of another missing person case that bears striking similarities. Astrid Marlowe, a young lawyer, vanished in the same mountains two years before.
Were Louis and Astrid simply unlucky hikers lost in the treacherous terrain? Or did they both stumble into something – or someone – they shouldn’t?
Songwriters On the Run

It’s 1991, and Australian singer-songwriters Mick Woods and Drew Lovelock – 'tall and skinny, rock-star-wrecked handsome' – haven’t yet managed to crack the big-time. But that’s soon to be the least of their problems.
On tour in Central Queensland, what seems like a minor marijuana bust turns ugly, and they're incarcerated in a low-security institution in the middle of nowhere. With help from a couple of prisoners, they escape – but now what? They're songwriters on the run, desperately evading the long arm of the law and trying to clear their names. On the upside, they might get a good song out of all the drama. Meanwhile, in Hollywood, a major film star takes a liking to their music…
Songwriters on the Run, Robert Forster’s debut novel, is a joyride. Burrowing into the netherworld of Australian independent music just as Nirvana’s grunge is about to swamp the planet, the former Go-Betweens vocalist and accomplished solo performer has crafted a hectic, sometimes hilarious tale that is as silly, profound and grand as the music it celebrates.
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