1985. Neus Bauen, a post-hardcore band from Illinois, are touring America, on the brink of fame. When one member of the band is sexually assaulted and another is wounded by a gunshot, these two cataclysmic events alter the course of the band’s four members’ lives forever.
Decades later, amongst the sprawl and shout of Morocco, some of the band are reunited. There they attempt to piece together what happened to them during the lost years between their punk-infused days and nights on the road, and the world they find themselves in today.
Dance Prone is a novel of music, ritual and love. It is live, tense and corporeal. Full of closely observed details of indie-rock, of punk infused performance, the road and the players’ relationship to violence, hate and peace.
Set simultaneously during the post-punk period and the narrative present of 2019, Dance Prone was born out of a love of the underground and indie rock scenes of the 1980s, a fascination for their role in the cultural apparatus of memory, social decay and its reconstruction.
Review | Dance Prone, David Coventry | Karen Chisholm
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Wednesday, November 24, 2021 |