Luke spent most of his twenties as a freelance writer and listening to rock ‘n roll. He drinks heavily on occasion, is a half decent musician and his idea of a good time involves a jukebox designed to bleed ears. Luke’s work has been recognised by The Inside Film Awards, MTV and The ATOM Awards. He writes in cafes, bars and in parking lots on the back of old fuel receipts and cigarette packets. He doesn’t believe in writers block or in the magic bullet theory and his favourite album is Exile on Main Street. Luke’s writing is as much influenced by AC/DC and Johnny Cash as it is by Richard Stark and Raymond Chandler. He is undertaking a Master of Screenwriting at the Victorian College of the Arts and has absolutely no intention of moving to a shack in the middle of nowhere. He likes bad traffic, noisy neighbours, cheap beer, loud bars and has been occasionally known to howl at the moon.
If there’s one thing worse than a crooked cop on your heels then it’s a whole unit of them.
A fistful of people are murdered, fifteen million dollars is stolen and detective Tom Bishop is stuck in the middle. When he hits the street, every clue points in the same direction – his colleagues in a police department demoralised by cutbacks and scandals. Hunted, alone and with no place left to turn, Bishop embarks on a hellish journey down into the gutters where right and wrong quickly become twisted and problems are solved with gunfire and bloodshed.
Over the next two days, Tom Bishop will be cornered. He will be beaten. He will bust into prison. He will shoot at police. He will team up with violent criminals. He will become one of them. He will break every rule in the book, chasing a lead nobody else will go near down a rabbit hole of corruption, murder and buried secrets.
Will Bishop become the very monster he set out to destroy?