SCARED TO DEATH is the first in a new series from Australian based author Rachel Amphlett. It's a switch from the earlier espionage styled Dan Taylor novels, to a police procedural featuring Detective Kay Hunter.
You'll nip through this novel in one or two sittings; it is not dragged down by the minutiae of a police investigation (though there is a detective still working the case) and the speed and ease in which young people live their responsibility-free lives is conveyed well.
The two biggest challenges with writing historical fiction need to be overcome from the get-go. It is necessary to engage the reader from that first chapter so that they are not constantly running off to fact check. So the first challenge is adhering (or appearing) to the constraints of historical accuracy
Bill Beverly has taken out 2016 Golden Dagger Awards for both best crime fiction and best debut for Dodgers. This is the type of crime novel that is steeped in the criminal world.
Posted by Robert Goodman
Sometimes a book just simply drops out of nowhere straight into the best of the year list with minimal fanfare. TELL THE TRUTH, SHAME THE DEVIL is undoubtedly going to remain one of the best things I've read this year for a whole lot of reasons.
This is a very polished work from a debut author.
Michel Bussi is a renowned crime fiction writer and winner of many awards in his native France, BLACK WATER LILIES being the second of his books translated into English.
As much as I'd love to say that if you're a new reader to this series than just get on with it, it's one that you really have to read in order.
For a cricket obsessed reader, fond of the assertion that test cricket is a metaphor for life, THE RULES OF BACKYARD CRICKET made me wonder about that just for a moment.
There is a very good reason for all the buzz around about The Dry, another great debut thriller from an Australian writer. Review at Newtown Review of Books
Pufferfish is one of my all time favourite Australian Crime Fiction identities. He's taciturn, reticent and often recalcitrant. He's frequently obtuse, often slightly grumpy, addicted to strong espresso and liquorice all-sorts and finally, he's back.
It's dark, it's classic noir, it's very Australian and it's about as pitch perfect as you can get.
A record number of entrants and a kaleidoscopic range of crime tales illustrates the growth of New Zealand crime writing but provided a real challenge for the judges of the Ngaio Marsh Award for Best Crime Novel, who have revealed the longlist for their 2016 award today.
Once again, Cavanagh has managed to combine the tension of a series of 24 with the legal manoeuvrings and questionable lawyers out of a John Grisham novel and the suave con-artist styling of Ocean’s Eleven.
There's so much potential in this novel that you really cannot help but hope it's either the beginning of a good new Australian series, or at least the heralding of yet more crime fiction from John Dale.