Kerry Greenwood was born in the Melbourne suburb of Footscray and after wandering far and wide, she returned to live there. She has a degree in English and Law from Melbourne University and was admitted to the legal profession on the 1st April 1982, a day which she finds both soothing and significant. Kerry has written twenty novels, a number of plays, including The Troubadours with Stephen D'Arcy, is an award-winning children's writer and has edited and contributed to several anthologies. In 1996 she published a book of essays on female murderers called Things She Loves: Why women Kill. The Phryne Fisher series (pronounced Fry-knee, to rhyme with briny) began in 1989 with Cocaine Blues which was a great success. Kerry has written fifteen books in this series with no sign yet of Miss Fisher hanging up her pearl-handled pistol. Kerry says that as long as people want to read them, she can keep writing them. Kerry Greenwood has worked as a folk singer, factory hand, director, producer, translator, costume-maker, cook and is currently a solicitor. When she is not writing, she works as a locum solicitor for the Victorian Legal Aid. She is also the unpaid curator of seven thousand books, three cats (Attila, Belladonna and Ashe) and a computer called Apple (which squeaks). She embroiders very well but cannot knit. She has flown planes and leapt out of them (with a parachute) in an attempt to cure her fear of heights (she is now terrified of jumping out of planes but can climb ladders without fear). She can detect second-hand bookshops from blocks away and is often found within them. For fun Kerry reads science fiction/fantasy and detective stories. She is not married, has no children and lives with a registered wizard. When she is not doing any of the above she stares blankly out of the window.
Just where is justice in Australia hiding? This brilliant new collection of true crime stories takes us into the Australian courts of the 1980s and '90s, back in time to the goldfields of the 1860s, and out to the island nation of Nauru in 2006 to explore how the scales of justice are unbalanced. This is a world in which the innocent still get locked up and the guilty too often go free.