Updates - Week Ending 21st September

June Wright had already published three popular mysteries by the time she created her most memorable detective, the Reverend Mother Mary St Paul of the Cross.

The kindly Mother Paul may seem vague and otherwordly, but little escapes her attention—she has a shrewd grasp of everything that’s going on beneath the surface. In Reservation for Murder, the first of three Mother Paul novels (originally published in 1958), she is in charge of a residential hostel for young women who work in offices and shops in Melbourne.

A tense atmosphere pervades the house—many of the residents have received unpleasant anonymous letters, and there is much speculation as to their author. When Mary Allen finds a stranger stabbed in the garden, who dies after uttering a mysterious name, and a few days later one of the residents is found drowned, an apparent suicide, the tension reaches fever pitch. Is there a connection between these two deaths? Or between them and the letters?

The police investigation, abetted by the resourceful Mary Allen, proceeds in fits and starts, but meanwhile Mother Paul pursues her own enquiries.

Faculty of Murder is set at Brigid Moore Hall, a girls' hostel in the University of Melbourne, where "freshettes" are shocked by a new arrival, Judith Mornane, who announces that she intends to discover her sister's murderer. Her sister, Maureen, had mysteriously disappeared from the hostel the year before, at about the same time that a professor's wife had accidentally drowned. It is left to the newly arrived Warden, Mother Paul, together with Elizabeth Drew, the Humanities tutor, to draw the police's attention to possibilities they might not have considered.

Mother Paul, the incomparable nun-detective, is faced with her most perplexing case when a former pupil at her convent school is murdered at their annual reunion.

As a schoolgirl Maisie Ryan was often bullied by her peers, but a decade later she’s a TV star, the glamorously renamed Rianne May. When she’s invited to be guest of honour at Maryhill College’s annual reunion, she has a chance to dazzle her old tormentors the way she does her adoring television audience. But as she’s holding court at the reunion tea party, old grudges and new jealousies swirl around her—and suddenly one of her tablemates drops dead, poisoned. Was Rianne the intended victim? She evidently thinks so—only that day she’d received a death threat. Rianne flees the scene and cannot be found.

Who is the murderer? And what has happened to Rianne May?

Fortunately, the school’s principal is Mother Paul, who immediately calls for Detective Inspector Savage. She assisted him (or was it the other way around?) in solving a previous case (Faculty of Murder), and between them the unlikely pair will unravel this one too. But there will be more drama—and more deaths—before the murderer is uncovered.

Moving between the brash new realm of television in the early 1960s and the cloistered atmosphere of a girls’ convent school, Make-Up for Murder is the third and final Mother Paul novel and a must-read for all fans of June Wright’s blend of intrigue, wit, and psychological suspense.

Sydney, The body of a young woman is found in Chinatown. She's been beaten, tortured - and tattooed with the image of a sun. Called to the scene, Sergeant Jackie Rose asks herself whether this was a drug murder, or something else. But before her investigation can get under way, she is ordered to hand the case over to the Australian Federal Police.

Cape Town, South A local girl recruited to study in Australia has fallen off the radar. Veteran detective Schalk Lourens - recently suspended from duty - has already made plans to visit his daughter in Sydney, with emigration in mind. He decides to search for the missing girl while he is there.

Jackie and Schalk join forces, exposing a trail of corruption and crime stretching from the foreshore of the city's iconic harbour, back to South Africa and across the world.

Together the pair must navigate a minefield of deceit and manipulation set by an enemy more powerful and depraved than they can imagine. And failure isn'tan option, because not only their own futures, but those of hundreds of vulnerable young people, hang in the balance.

Ruth-Ann Baker is a college dropout, a bartender—and an amateur detective who just can’t stay away from true crime. Nineteen years ago, her childhood friend was murdered by suspected serial killer Ethan Oswald. Still tormented by the case, Ruth can’t help but think of the long-dead Oswald when another young girl goes missing from the same town. And when she uncovers startling new evidence that suggests Oswald did not act alone, she is determined to find his deadly partner in crime.

Embarking on a global investigation, Ruth becomes close to three very different women—one of whom might just hold the key to what happened to the missing girl. And her childhood friend, all those years ago.
 

In the unremarkable French town of Saint-Louis, a mysterious stranger stalks the streets; an elderly woman believes her son is planning to do away with her; a prominent manufacturer drops dead. Between visits to the town’s bars, Chief Inspector Georges Gorski mulls over the connections, if any, between these events, while all the time grappling with his own domestic and existential demons.

Graeme Macrae Burnet pierces the respectable bourgeois façade of small-town life in this deeply human story. He draws a wry humour from the tiniest of details and delves into the darkest recesses of his characters’ minds to present a fascinating puzzle that blurs the boundaries between suspect, investigator and reader in an entertaining, profound and moving novel.

Mia's grief counselling practice, The Pleiades, is named for the seven sisters from Greek mythology who were the companions of the Goddess of the Hunt—and who, in some stories, die of grief or are killed to be saved from attackers.

Mia has been gathering broken women together for a radical form of group therapy. Amy. Gabrielle. Katy. Brooke. Olivia. Five women crippled with grief by the murders of their sisters—and seething with rage that the partners who killed them all walk free. She just needs one more.

When Mia meets Naomi, she knows she has found the perfect candidate, but Naomi is resistant. She only needs to meet the others before she realizes that they, too, are consumed with desire for hands-on revenge. Under Mia's guidance, the women devise a plan to heal themselves. They'll take back their lives from the men who took their sisters. The premise is satisfyingly I'll kill yours if you kill mine...

Every town needs somewhere to hide their secrets. Andy King knew she should never return to Stonefield. Ten years ago, her boyfriend Will Hoffman disappeared without a trace and most people in the town thought she was to blame. But a decade is a long time to be homesick, and she isn't technically going back there. Only to Taplin, a small town in the neighbouring valley, far enough away from Stonefield she can stay under the radar, but close enough to the mountains that she can feel their pulse and breathe their special brand of oxygen. And it's only for four weeks, after all. But Andy didn't bargain on running into those who are still looking for Will, the ones who have the most to lose if he is ever found. Andy will go to her grave before she reveals what had happened back then, but when she realises that those same people have other secrets hidden in the mountains, it's clear she's once again in their way. And this time sending her to her grave is exactly their intention.

How far will they go to win the prize?

Seven strangers are invited to compete to win a clifftop mansion. The rules are each contestant must have at least one hand in contact with one part of the house at all times. The last one to take their hand off, wins the house. Then, after 36 hours, a contestant is murdered. And soon they start to realise that it may not be the last person to leave the house that wins it, it may be the last person alive. A locked room mystery where the door is open, but no-one wants to walk through it.

Last One to Leave was originally released as an Audible Original, and is also available in a 2-in-1 print book called Fool Me Twice.

Jimmy is a kid growing up fast on the poorest street in town. He tries to do everything right and look out for his mum and his younger brother. His older brother is in jail, so it's up to Jimmy to hold things together. But small-town life is unforgiving if you're from the other side of the tracks.

If only his mum didn't drink so much.
If only he could win the school billycart race.
If only his best friend understood.
If only he could stop his mum's boyfriend from getting angry.
If only he was there.

Jimmy soon learns that even when you get things right, everything can still go wrong.

Addison Harper is back, and with another dead body at his feet. Only this time, the entire town saw it happen.

Milverton is in the running for the Terrific Town Award, so a dramatic death at the opening ceremony is far from ideal. Addison had only been lending a hand, but now finds himself much more involved than he’d ever hoped. To think his biggest worry before had been his upcoming date with Sergeant Jake Murphy.

As for the sergeant, he can hardly ignore a hall full of witnesses even if he wanted to. And they’re all pointing the finger at his date, Milverton’s newest arrival, Addison Harper.

At 65, Hornclaw is beginning to slow down. She lives modestly in a small apartment, with only her aging dog, a rescue named Deadweight, to keep her company. There are expectations for people her age - that she'll retire and live out the rest of her days quietly. But Hornclaw is not like other people. She is an assassin.

Double-crossers, corporate enemies, cheating spouses - for the past four decades, Hornclaw has killed them all with ruthless efficiency, and the less she's known about her targets, the better. But now, nearing the end of her career, she has just slipped up. An injury leads her to an unexpected connection with a doctor and his family. But emotions, for an assassin, are a dangerous proposition. As Hornclaw's world closes in, this final chapter in her career may also mark her own bloody end.