The setting of THE GIRL BEFORE is all important and gives structure to a story that is essentially carried out with in four walls of one very spectacular and unusual house. There are shades of ‘Hal’ in this book too which are delicious, as in that an omnipresent technological mind is controlling the conditions thus manipulating the lives of the occupants of the house. Or is it really?
Poor self esteem, the classic pull of the bad boy and just seriously bad taste all come together to push the sanity of both past Emma, and present Jane. Is it an insult for an untidy person to occupy such a carefully crafted space or is the best creational work still in progress, as in the moulding of the occupant to the new home?
Author J.P. Delaney (a pseudonym) has written here a curiously oppressive work about two women who have occupied the same space in different periods of time. Both characters you literally wish to grab by the shoulders and deliver a good dressing down to, but both were chosen for their vulnerabilities and not their strengths. In this time where wanting less is a real angst of the privileged, the minimalistic setting of this book delivers its own clever and simmering threat of restraint, purposeful conduct and menace.
As in all best works of suspense, no one is quite who they seem and THE GIRL BEFORE deep dives into secret desires of three very modern people with frank aplomb. The ending does make you question just why you came to the conclusions that you did – maybe you overthought that one?
A very clever and absorbing book, THE GIRL BEFORE is a psychological thriller that delivers. Read the book now, as hopefully the big screen adaptation won’t be too far away.