The Heat

Wyatt needs a job. A bank job would be nice, or a security van hold-up. As long as he doesn’t have to work with cocky idiots and strung-out meth-heads like the Pepper brothers. That’s the sort of miscalculation that buys you the wrong kind of time. So he contacts a man who in the past put him on the right kind of heist. And finds himself in Noosa, stealing a painting for Hannah Sten. He knows how it’s done: case the premises, set up escape routes and failsafes, get in and get out with the goods unrecognised. Make a good plan; back it up with another. And be very, very careful. But who is his client? Who else wants that painting? Sometimes, being very careful is not enough.