Thriller

A classic of foreboding and suspense set in the Victorian High Country.  Full review at The Newtown Review of Books: http://newtownreviewofbooks.com/2013/05/07/crime-scene-honey-brown-dark-horse-reviewed-by-karen-chisholm/

One of the biggest problems with the blanding out of Australian Federal politics and society is that Political Satire seems to have disappeared around the back, probably mugged by some idiot with a bias obsession. Well that is until THE MARMALADE FILES where I cannot begin to tell you how excited I was to finally find something to laugh about coming out of Canberra. In an amused way, not that panicked titter that escapes when you realise that the idiot on the telly who just said what they said may actually be believed by someone out there...

As a political junkie I will admit to being somewhat predisposed to love THE MARMALADE FILES simply because of some of the opening cracks. It really didn't hurt that it's obviously fact wrapped up in fiction, with the names changed to protect the innocent (for the nanosecond it takes for you to replace the fictional name with the true life name). Well, it didn't hurt until there were aspects of the plot that got a bit too real, too feasible for comfort mind you. What with a dumped Prime Minister / Foreign Minister with a control fetish right down to refusing to die when everything physical had shut down.... A Defence Minister in bucket loads of trouble over his relationship with a Chinese Spy... And a Liberal Leader well entangled in a Finance Department plot to down the Prime Minister. There are other characters who are so magnificently real that you just know, somewhere deep in the bowels of Canberra Society, there are some press secretaries and intelligence analysts that aren't going to be buying Uhlmann and Lewis a drink anytime soon... then again, maybe it's a badge of honour to get a gig in a book like this. It should be. It's hilarious.

Whilst THE MARMALADE FILES is definitely more on the satire side than a straight-forward thriller, it sets a cracking pace. You have to wonder whether the authors have gotten themselves caught in the 24 hour media vortex and simply can't let go. Regardless of how or why, or what the book is, this was a fantastic read, although I think those who are less interested in politics as a spectator sport might not see the glorious wonder of some of the in-jokes and references. Now, whenever anything, no matter how normal or how odd, occurs in Canberra's political halls, all I'm going to be wondering is how these two are going to spin that into the next book.

There's something about the combination of a big threat thriller and fundamentalist based threats that makes me twitch badly. ROTTEN GODS is therefore a book that I stupidly put aside for a tad too long.

There is, however, something particularly compelling about the idea that a humanitarian man, a decent person, could be pushed to take extreme action in the face of international disregard for the economic and ecological meltdown happening everywhere around us. The idea that he would form an alliance with a group that seems to have similar concerns, although much more extreme methods, is also not that unlikely. The possibility of taking the leaders of most of the world government's hostage, and turn the security of their location against them wasn't that tricky to accept. In fact, there were some quite chilling, and rather discomforting aspects to much of the action in ROTTEN GODS.

But of course, it's a thriller, so there are some aspects that may not be quite so believable - in this case the way that lowly intelligence officer Marika Hartmann could head off on a disputed and somewhat unlikely pursuit in the middle of a major crisis, and then basically run her own show, on the ground in Somalia. The way that she managed to just not get blown away stretched credibility a few times, until, at some stage it really didn't matter how unlikely her situation was, you kind of ended up barracking a lot for her anyway.

There's a real bravery in the way that ROTTEN GODS unfolds - mostly because of the nature of the subject's that Barron's willing to tackle. There's a none too subtle political message at the core of this book that's going to get up some reader's noses, but really, what's wrong with a thriller that makes you uncomfortable or makes you think a bit. My only complaint is that possibly the book is a bit too long. There were also some plot-lines (such as the interference with tunnel digging) that just seemed to disappear in the run up to the conclusion, whilst other characters seemed to suddenly get chucked into the mix to be the hero of the day. A couple of these things did unbalance what was, in the main, a very thought-provoking and discomforting (in a good way) modern day thriller.

Follow up to PROMISE, DEAD GIRL SING again takes Richards out into the field, away from his retirement, all in the defence of somebody he feels he owes.

Triggered by a phone call from Ida, a girl he never expected to hear from again (even though he left that phone on / charged / ready), Richards is suddenly not just responsible for the life of a missing girl, but also a dead cop and two dead girls. Somehow in the middle of the notorious schoolies week on the Gold Coast, in the middle of that seething mass of hormones, alcohol and crazy that descends every year, Richards alone gets a bit of a sniff of something twisted and very determined. Somehow young women are quietly disappearing and nobody else seems to be connecting the neon-lit dots quite like Richards does.

As in PROMISE, DEAD GIRL SING has, at its core, a descent into the creepy, crazy, lunatic side of mayhem. In this case, whilst somebody is quietly disappearing young women up and down the Gold Coast, there's also that dawning idea that perhaps murder may not be the absolute worst fate that can befall. Without giving away anything of the plot, there's a slow reveal of the perpetrator here that's probably not going to come as a huge surprise (there's a bit of build up that kind of hints where we are going), there's a series of disappearances, and one young woman in particular that Richards is tracking with help from his mysterious high-tech Melbourne hacker mate.

There is so very very much in this series that you'd think I'd hate. More mad, bad protagonists, although in DEAD GIRL SING we at least have some reasons and explanation. There's all the high-tech wizardry which normally has me grinding my teeth in exasperation, and yet, in this case, the idea of Isosceles, sitting in his high-rise Melbourne tower, tracking, watching, following actually isn't that hard to believe, and is rather endearing and familiar.

But this is not a series I hate. Quite the opposite as it turns out. Despite all the things that grate just a little, I really like the Darian Richards books. Maybe it's the no-nonsense, matter-of-fact, pragmatic Richards - a lone wolf with a skewed moral compass and a form of ethics that he sticks with. Come hell or high water. Isosceles with his encyclopaedic knowledge of minutia (or a fast track on Wikipedia searches). Maria, the cop sidekick who doesn't want to be. Constantly drawn into Richard's orbit she's drawn between being a good cop and the fact that Richards get's his killers. One way or another.

Neither of these books is without flaws, but then this isn't a super-hero good guy without flaws either. Neither of these books are straightforward or comfortable reading. But they are strong, have a great sense of personality and a quintessential "Australian-ness" about the observations, dialogue and behaviour. DEAD GIRL SING is a strong second book with improvements over and above the first one. It's a series that I'd be really happy to see continue.

Interesting premise this. Take a devastating hit, albeit targeted, in the name of radical environmentalism to engineer a change for the good of the planet. Use sleeper agents who have worked their way into positions of influence and power over many years. Make it even more devastating by having the strikes occur in quick succession, stretching authorities to the limit. Make the targets as varied and unpredictable as possible.

Because of the huge range of incidents the authorities are scrambling just to deal with the fallout, the connections aren't that easy to see to start off with. At the centre of it all is Dr Tori Swyft, ex-CIA member, Australian surfer girl, who, at university, briefly belonged to the group of sleeper agents - 9S. Lead by a most unexpected character, the group has spread out across all sorts of industries, cultures and backgrounds. These committed individuals, once inculcated to the cause, never contact each other again. It's really only Swyft that can work out the connections as the attacks build. Very fast train pileups, a code change in management software for nuclear reactors (okay so I had a bit of trouble swallowing the open source / nobody noticed bit of this one), a financial crisis instigated by within a bank (not so hard to picture), biohazards, and potential shipping disasters.

Swyft, now working for another secretive organisation involved in engineering major corporate outcomes for its clients, was in the middle of a major political / corporate coup when she is forced to walk away to discover where the trojan in her nuclear reactor code came from. This organisation and it's eccentric leader provide her with the resources, tools, and support she needs to find the connections, to go head to head with the sleeper agents, and stop the threat.

So we're obviously talking a very big threat scenario, with a lot of action happening all at once. There's also a big corporate feel to the anti-sleeper effort with private planes, fabulous yachts, high-tech gadgetry and much charging about in helicopters. A lot of the analysis, identification and outcomes that Swyft pulls off rely very heavily on the use of some very high-tech gadgetry. It's a testament to the pacing of the story that at no stage do you feel any desire to scratch a few estimates on the back of an envelope and do a spot of cost accounting - it's all very wild and cutting edge stuff yet it's compelling.

For something quite this "out there", there is a sneaking sense of possibility, which is always a very good thing in a thriller of this kind. After all, sleeper spy agents are absolutely nothing new in the world of espionage. It's not that hard to imagine that the most trusted in corporate, financial and government circles could be a plant. With an agenda that's set by convictions deeply held. Fortunately THE TRUSTED is probably fiction. At least you'd hope so.

"The perfect thriller for everyone who has ever worked in a corporate environment" may not exactly sound like much of a recommendation, and early on in NO WAY BACK, thriller fans could be excused for wondering what on earth they are doing in a story that seems obsessed with the mechanics and machinations of high-tech company restarts. Stick with it. All is not as it seems.

It goes without saying that Jimmy Thane has had a rather chequered background, and initially it seems like he's struck it lucky with the chance to steer a money sink company in the high-technology world out of the doldrums. The job's been given to him by an old friend, a venture capitalist with a lot of money at risk in this company. On the personal side, it's quickly obvious that his past has had a very direct impact on his relationship with his wife, which is fraught. And whilst things at work rapidly become quite complicated, somehow what's going on at home seems oddly passive yet tense at the same time.

With a story like this it's almost impossible to explain some things without getting into massive spoilers, so proceeding with caution, early on you may be wondering what on earth this is all about. Apart, that is from some very telling and quite funny observations about the various personality types that do pop-up in high tech companies with sales and marketing arms. But really there's doesn't seem to be a lot all that threatening or worrying, unless it was your money going down the company drain. There's also some rather obvious repetition which seemed a little overt and off-putting. It does seem to take quite a while for anything particularly "thrilling" to happen although all the time, there's something just not quite right about Thane, his wife, their relationship and the people around them. A lot of that, on the face of it, could be explained by his past, and yet, there's something else. Once the story gets into the revelation phase, lots of things start to fall into place, and a lot of things fall somewhere slightly different.

In many thrillers it's rather easy to see where the story is heading. The good guys struggle, the bad guys get it in the neck, world order is restored and everybody goes home for tea. Nothing is quite that straightforward in NO WAY BACK and it has to be said, regardless of how much you think nothing's happening, or that you know what's happening or where all this is going, stick with it. There's more twists and turns in this tail than your average ... twisty-turny thing.

Set in the area of the Chesapeake Bay DEADRISE by Maryland Eastern shore author Robert Blake Whitehill is a thriller featuring former SEAL Ben Blackshaw. An oyster gatherer (I think that's the right word), Blackshaw discovers a lot more than he bargained for on one dive that changes his life, and the lives of a lot of people in the small community that he lives in.

Australian's are very aware that our slang is quite often impenetrable to people from other locations. Probably because of the amount of TV and Film watched from other countries, I'm often in the fortune position of being not too shabby at understanding much of the slang and colloquial language from other locations. Until DEADRISE. Where I have to confess I spent a truly staggering amount of time wondering what on earth everyone was talking about. This is a book that's set very firmly in its location, revelling in the uniqueness of both the environment, and the people that live in it.

The plot builds a number of different angles, although really, the point is that there's not a lot of honour and trust amongst thieves and villains and that goes about as high up in society hierarchy as you can get. I must admit I did find some of the baddies just a bit over the top on occasion and the level of random violence a little surprising. I also can't begin to tell you how firmly I had to sit on my disbelief over the sudden arrival into the mix of a dirty nuclear bomb. But it's a thriller and suspension of disbelief's not an unusual requirement and the pace of the story does give you more than enough to be going on with.

The strength of DEADRISE is the way that the setting comes alive (even with the confusion of the slang), obviously this is an area that the author knows, loves and wants to convey to his readers. The plot was okay, although there were some elements that just seemed a little over the top. My only real complaint is, being a huge fan of sparse lyrical writing, I would have been more comfortable with a little restraint, maybe some editing to get things to the point and hammer that point home.

DEADRISE however, is definitely one for readers looking for a real feel of the location and the locals.