US Vice President Tom Bradshaw is the perfect candidate, a presidential “sure thing”. This, despite the unfortunate mistake made in his youth…a transgression he turned into triumph. But when the future President is found dead in the penthouse of Boston’s finest hotel, the American people want answers and his administration need a scapegoat.
A widowed mother. A blood-soaked nursery. A missing baby.
When David Cavanaugh hears of this heinous crime, he knows immediately he doesn't want to touch it. The mother's guilt is obvious to all, and David and his team are determined to be bystanders only to Detective Joe Mannix's traumatising investigation.
So when David is unwittingly drawn into the case and appointed the mother's defence attorney, he knows the road ahead will be tough.
Sydney Bauer has worked as a journalist and TV executive. As Director of Programming for a major Australian network, Sydney was able to indulge a personal passion for US dramas such as CSI, Law and Order and The Practice and meet with revered TV writers such as Steven Bochco, Aaron Sorkin and Dick Wolf. Sydney Bauer resides in Sydney and has just finished writing her second novel, Gospel.
Doctor Jeffrey Logan, daytime TV's most loved psychologist, has a top-rating talk show seen around the world - his picture perfect life completed by his talented lawyer wife, Stephanie Tyler, their 16-year-old daughter, Chelsea, and 13-year-old son, J.T.
But this image of domestic bliss is shattered when Stephanie is killed instantly by a bullet from a big game rifle in the family's pristine Beacon Hill kitchen. The consequences of her death are catastrophic as Doctor Jeff confesses, despite all the evidence pointing directly towards his blood spattered son.
Book Review:
It is probably no coincidence that this book is likely to appeal to fans of TV shows like CSI and Law and Order as the author says she is very fond of those shows and the book has a structure, subject matter and delivery which seems somewhat reminiscent of that style of show (or at least what I glean from others about them) - I don't watch them, probably for the same reasons that MOVE TO STRIKE isn't really my sort of book.
Perfect Home. Perfect Family. Perfect Murder. That's what is printed at the top of the cover of the book and there is a lot of the "perfect" about the setting. A perfect family picture to the outside world, an idyllic lifestyle that is (unsurprisingly) covering up something more sinister. Perfect Murder is an interesting choice however and it was that line that intrigued this reader the most.
Cavanaugh is invited to an horrific crime scene - where an old friend has been the victim of a shooting. Her husband, a daytime TV psychologist, is the person who has confessed, but his story is inconsistent with the evidence and it's too fantastic to possibly be true. Besides that, it doesn't explain why so much evidence points at his own son. Cavanaugh knew the victim a long time before she married her husband and he had seen a marked change in her personality. But whilst her husband tries hard to project her as the problem in the marriage, it doesn't take too long for the truth to be revealed.
There is undoubtedly a skill in the prose and the story-telling in MOVE TO STRIKE. The action moves apace with only the very occasional bogging down in way too detailed descriptions of characters clothes and other irrelevancies. There are some dramatic plot twists and a number of viewpoints are covered within the investigation.
Undoubtedly a book for fans of the author's earlier books, or for readers who like those sort of big blockbuster legal / forensic stylings of books, MOVE TO STRIKE didn't appeal to me at all. Perhaps it was that feeling of one step from a TV script, perhaps it was that blockbuster feel, maybe it was the incidentals of Cavanaugh's life which, as I've never read any of the earlier books, passed me by or were neither interesting or particularly engaging. In fact, the whole story was surprisingly uninteresting. Partially it was because I struggled to engage with any of the characters and I found the twists and turns too "convenient" to hold my attention. Partially it's because I'm still not sure what "Perfect Home / Perfect Family / Perfect Murder" is supposed to mean.
Move to Strike is the fourth book from Sydney Bauer - set in the US.
From the Blurb:
Doctor Jeffrey Logan, daytime TV's most loved psychologist, has a top-rating talk show seen around the world - his picture perfect life completed by his talented lawyer wife, Stephanie Tyler, their 16-year-old daughter, Chelsea, and 13-year-old son, J.T.
Tom Bradshaw is the perfect Vice-Presidential candidate. He had a difficult time in college, but overcame drug addiction and now leads the fight against illegal drugs. The nation is stunned when he is found dead in a hotel room of an apparent self-administered drug overdose after being clean for over twenty years. Just as the public is coming to terms with the death of the much-respected politician, it is announced that it wasn’t an accidental death, but murder.
Book Review:
Sydney Bauer’s first book, UNDERTOW was a fast paced thriller and GOSPEL is promoted in the same way. It doesn’t seem to have quite the same pace and I think it suffers for that. The first couple of chapters introduce a so many characters that I found it confusing for quite a while. Bauer’s use of adjectives seemed at times a little unnecessary: ‘She took two of the upturned glasses standing on the crisp white towel on the black marble counter and poured them both a drink before gliding across the room, extending her long slender arm and handing him his water.’ It was a very minor detail. She gave him a glass of water would have sufficed. I found numerous examples of this. These unnecessary descriptions detracted from the pace of the book considerably. When a book is 487 pages long, details like this can become annoying.
Most of the plot was predictable. There were a few very clever little twists, but they didn’t arrive until after 400 pages and seemed to come too late. A large part of the ending involved a dramatic overblown court scene. “’Cavanaugh is a liar,’ he yelled, his voice rising over an astonished crowd. ‘A simple-minded show pony who, in his desperation to win exoneration for his murderous client, has rallied this group of geriatrics, has-beens, teenagers and drug addicts in a pathetic attempt to sully my good name,’”. Speeches like this abounded and I felt that any resemblance to a real courtroom situation was purely coincidental.
It’s a shame that GOSPEL was so overdone because there was a good idea in the basic plot premise.
