CALL ME EVIE is however a powerful psychological thriller, exploring the complications of memory (as hinted at in the opening quotations). But it's memory in all it's false, guilty, happy, searching, fragmented, convenient and confrontational guises.
The strength of RIVER OF SALT is definitely in the idea of a stranger in a strange land, back in the days when communications weren't instant, and people could reinvent themselves to some extent. It's exploring just how far you can go with that idea, and how much of the old you will never go away.
When you are next thinking of accessing a portal to another dimension, perhaps you should consider the shower block?
Posted by Andrea Thompson
Emma Viskic's second Caleb Zelic novel.
Winner of the 2018 Ned Kelly Award.
Peter Temple's 2nd novel and my latest summer favourite.
Holly Throsby's excellent 2nd novel.
I've been trying to think of somebody else that could write books about abalone fishing quotas, cricket, asylum seekers and now early white Australian settlement, convicts, rum runners and shipwrecks and make them all equally compelling, memorable, and ... crime fiction.
The murderous adventures of Maud, an 88 year lady living in Gothenburg, Sweden
The winner of the 2018 McIlvanney Prize for best Scottish crime book.
There's a good sense of the place, the climate, the local residents and the terrain in INTO THE FOG. It's a real strength of this novel - this is a place that Wallace obviously knows well and the idea that kids could simply vanish up there makes sense, and is well supported by the god awful weather that's being experienced.
Started reading the third Georgie Harvey / John Franklin novel by Sandi Wallace last week ... this time set in the Dandenong Ranges, which was a bit of a blast from past - rain / storms / fog / trees down / cold. Vaguely remember how all of that worked.
Having now listened to the first couple of books in the series, I think I'll stick with them in audio format as the dialogue, the place names, even the thought patterns of the characters are quintessentially Scottish and part of the enjoyment was hearing it in just the right accent.
Hard going, with an authentic voice that makes it emotionally challenging and confronting, COLOMBIANO is well worth pursuing - even if the size is off-putting. This reads, feels and is telegraphed in the prologue as something this author was passionately driven to produce.
The second novel in the Monsarrat series, THE UNMOURNED is set in Sydney, based around the Parramatta Female Factory - the epitome of appalling institutions in a line up that you'd think would be hard to lead.
Well paced out, populated by flawed but approachable characters, set in a location that doesn't feel manipulative or convenient, GREENLIGHT is about crime, greed, money, influence, bad decisions and human frailty and nastiness.
It's a scenario that plenty of families deal with every day. Teenager's off to spend their gap year travelling in far flung locations - in this case British backpacker Cassy heading to New Zealand with her boyfriend for a short break before returning to her best friend's wedding, study and a normal life.